Selected shows and exhibitions:

2024 Rupert Residency, AEP, Lithuania, LT

2024 Gallery TIC, Brno, CZ

2024 Triangle - Astérides, Marseille, FR

2024 Ola Radio, Sound of money in collaboration with Ieva Gražyté, Marseille, FR

2024 Regional Gallery of Fine Arts, Zlín, CZ

2024 PGS collective, New York, US

2024 Sepia in collaboration with Andrej Beštak and Anja Leko, Museum Quartier, Vienna, AT

2024 Frisk, PAF Gallery, Olomouc, CZ

2024 Zoom Bible Study, Gallery FaVU, Brno, CZ

2024 Brno Artists in Residence, Brno House of Arts, Brno, CZ

2024 Fever Dream, Improper Walls, Vienna, AT

2023 Paranoia Symphony, National Gallery in Prague, Prague, CZ

2023 Whispering from the Other Apartment,
Sonnenundsolche, Dusseldorf, DE

2023 A rather morbid air, and it was hard to see how it could convey wishes for a happy future,
Fotograf gallery, Prague, CZ

2023 Tip of the Tongue, Garage Gallery, Prague, CZ

2023 I see Everyone Getting All the Things I Want, MOLT Berlin, Berlin, DE

2023 ETC. Magazine, portfolio publication,
Ljubljana, SI

2023 Villa(in) in collaboration with Zuza Golinska, Brno House of Arts, Villa Tugendhat, Brno, CZ

2023 Tehláreň, Martin, SK

2022 Ooops That’s Okay in collaboration with Ela Plíhalová International Documentary Film Festival, Jihlava, CZ

2022 Umprum group show, Haus der statistik, Berlin, DE

2022 Umprum group show, Czech Center Munich, Munich, DE

2020 Legends in collaboration with Kateřina Konvalinová, Sára Marc, Jana Chm and Natálie Vacková, Display Gallery, Prague, CZ

2019 80’s, Studio group show, GASK, Kutná Hora, CZ

Pencil, 2023

200cm x 20cm
Wood, graphite, rubber, acrylic paint.

Ballet stick, 2023

Ash wood, aluminium rods, plexiglass, spraypaint, 3D print

Ballet stick embark on a journey that offers insight into disciplinary systems, in an effort to create performative objects with the possibility of using a diverse spectrum of gestures, movements and strategies in the field of ballet. My goal was to create a spatial narrative that intricately connects my interest in disciplinary systems and their deep psychological and emotional implications. In my work, I focus on suggestive reconstructions and deconstructions of the ballet barre, referring to concepts of discipline and the evolving aesthetics of ballet in the digital space, while latently drawing subtle references from my own life experiences. The deliberate placement of three aluminum rods symbolizes the unrelenting pursuit of balance, reflecting the youthful flexibility of the dancers' bodies, and thus becomes a metaphor for the discipline of adolescent bodies, placing ballet as a symbol of high culture in dialogue with the undercurrents of toxicity that this discipline carries. The ballet hall installation itself becomes a stage for an exploration of contemporary cultural unrest, referencing themes of exhaustion, cuteness and discipline, while inviting an examination of self-colonization within Western internet discourse.